Saturday, May 16, 2009

Sara Gilfert: an artist unstoppable!

No doubt I was excited about the paper making experience at Paper Circle, the paper and book arts gallery, at the historic Square in Nelsonville. But even more than the excitement, I was amazed by the enthusiasm of Sara Gilfert, the founder and art director of Paper Circle. Sara will turn 80 this June, but her energy and love for the paper art and the community, remain boundless. I interviewed her in the studio, and she generously shared with me the story behind Paper Circle and as mentioned in the previous posts, gave me a demonstration on handmade paper making.

The beginning

Before being “infected with the love of paper” Sara worked with fabric. She taught fiber art at Ohio University from 1980 to 1985: weaving, knitting, dyeing, crochet, batik, all the differnt things related to fiber. Her art studio at home was built around these fabric art techniques which she had learnt 10 years before that. She also owned a yarn shop at that time.

Introduction to paper making

Sara said she became interested in paper art in the late 1970s'. A friend introduced her to paper making at that time. As the luck would have it, in 1980 she had the chance to learn the art of Japanese paper making when she joined her husband on a visit to Chubu University in Japan, for three months. While in Japan, Sara had the opportunity she described as “god sent and wonderful,” to visit the studio of a Japanese paper artist. From him, she learnt the traditional Japanese method of paper making.

After returning from Japan, she slowly turned her fiber art studio into a paper art studio. In 1985, Ohio University closed the fabric art department, a nationwide trend at that time. As her interest in paper art grew, she let her lose the fabric art materials. She began using paper as the medium for her art; using paper for creating all kinds of imagery and forms.


Art work by Sara Gilfert. The colors you see in the work is not paint but are obtained from using colorful paper. It's a pretty big piece and is mounted on one of the walls in Paper Circle studio.

Next 10 years or so she found herself to be extremely busy, helping her husband set up his engineering business. Though an artist at heart, Sara taught herself double entry book-keeping and learnt to run a small business, to help her husband. She smiled recounting how she learnt book keeping "the hard way." The accountant in me empathised with her.

Through this period, she intermittently worked in her studio.

Paper Circle: the concept

After almost 11 years, she longed to get back to the “full-time artist” job. "I better return to my studio becuase that's where I have my health," she recalled her thoguhts at that time. In 2001, the idea of the public funded “paper art gallery” was lingering her mind. Sara said she was thinking of a space where she could work with her fellow artists and share her knowledge and the eqipment for making paper, and her in interest paper art, with the community.

Then in 2001, a friend from ‘Rural Action’ joined her in her studio at home. She was Sara's first intern. They used to get together every week and Sara taught her the skills she knew. Within a year three more apprentices joined her. They brought together different talents and experimented with paper art in the studio. Sara also shared with them her "vision" of Paper Circle.

"Paper Circle" is born

Sara's studio at home was built for one person, so for four artists they needed a bigger place. Sara definitely had the “concept” of Paper Circle in mind that was bigger than just a studio and started to put the word out. They started looking around for a new place and that’s when they found the current place at Nelsonville’s historic Square. Paper Circle—“the circle round the Square,” (I used "The Circle Around the Square" phrase as a descriptor for Paper Circle but actually it is a name of the program offered by them for children) was inaugurated in 2003, with Rural Action as a fiscal agent. Sara moved the equipment from her home studio to the new studio.

I think with so many other art galleries and studios around, the Square seems to be a perfect venue for Paper Circle artists to continue with their artistic endeavours.

Paper Circle: then and now

When they moved, the place was in a bad shape. Sara recalled that walls were dark gray, ceiling was balck and the floor was a mess. "It took months of rehabilitation work," sara said " to convert it into a workable area."

Paper circle is now a nice space divided roughly in three sections. As you enter, there is a professional gallery area where exhibiitions are held. Then you step into a small section where art works of the Paper Circle artists are displayed. Here you see differnt types of handmade paper, leather bound books, colorful paper bowls and other wonderful art works, made from paper, pulp and paper mache. Further inside is the studio space where paper making equipment and other accessories are placed.

Mission

Paper Circle is a non profit organization with public funding. The organization's Web site sums up its mission very well: “Paper Circle is dedicated to the celebration, preservation and advancement of the paper and book arts.”

More about the artists and this hub of paper art in Southeast Ohio, in the next post!

Tuesday, May 12, 2009

Fun papermaking video series

Found these cool youtube videos. It's a complete series that takes us through the process of handmade paper making step by step. It's fun to watch and also helpful if you decide to dabble in papermaking this summer! Totally doable at home. Check it out.

Also, OU offers a course in papermaking and is being offered this summer too. It's taught by Melissa Haviland . Take a look!

Monday, May 11, 2009

Sunday, May 10, 2009

Handmade papermaking 101

I met Sara Gilfert, the art director of Paper Circle on Final Friday in April. And as I said before, that was my entry to the world of paper art. Sticking to my artistic pursuit, I requested her for an interview. During our conversation, Sara mentioned that they make the handmade paper used to create books, greetings, folders available in the studio. In fact, they hold workshops to teach how to make handmade paper.

When she said that, I couldn't believe my luck. I am a huge fan of handmade paper. The textures and hues of handmade paper give it a classy look. And I also like how we can see the colorful fibres in the paper. Handmade paper looks "earthy" and "close to nature."  Also it is definitely environment friendly, when it is made from old clothes, waste paper etc. 

So I almost instantaneously asked Sara if she would show me the process of making the handmade paper. Sara has been making paper for more than 30 years now. She is also a specialist in making Japanese paper and  learnt the technique from a paper artist in Japan. She regulalry conducts workshops to teach how to make Japanese paper.

MinaTakahashi, the editor of Hand Papermaking  magazine listed Paper Circle among one of the few facilities in the Midwest, where artists, who use advanced techniques and pulps, can work. The list was published  in the global access guide in summer 2008 issue of the magazine.

When I requested Sara, she was making paper for folders for the graduation announcement of her grandchildren. She enthusiastically showed me the process of handmade papermaking;
how she turned dark green OU T-shirts into textured  handmade paper. 

That was an interesting transformation! 

Beating
Sara  told me she cut the green T-shirts in tiny pieces and put them into  "Hollander Beater"- the machine that beats the mixture of cloth bits and water into pulp. This big machine gets  its  name from  the country of its origin. The "bed-plate" in the machine can be adjusted to determine the texture and the tinkness of the pulp. The technique of beating (how hard and for how long) differs in western and oriental cultures, basically leading to variations in the thickness of the pulp. 


Sara near the machine: "Hollander Beaterfor making paper pulp

Interesting tid-bits

Sara said the machine hasn't really changed since the 1600, when it was  introduced. The paper mills use similar machines, only bigger in size.

Traditionally, in western countries, paper was made from fabrics such as cotton and linen, that being the nature of clothing during earlier times. In eastern countries, hemp, mulberry branches were used to make paper. The branches of paper mulberry have to be "cooked" and "cooled" before the "beating" begins. Now ofcourse, wood is used to make paper in mills.

The next step was to mix enough water in the pulp so the mixture could be strained using a "mold and deckel."  The Mold is like a sieve that is used to catch the paper fibers from the mixture of water and pulp.  The deckle is a wooden frame, to keep the paper fibers from sliding off the mold.

Container with green pulp-water mixture

Sieving
Sara dunked the "mold and deckle" into the pulp-water mixture. 

The "mold and deckle" have to be moved  in such a way that the pulp settels on the screen evenly. The technique of moving the "mold and deckle" differs in the oriental and western traditions of papermaking.


Sara rested the 'mold and deckle" to get rid of excess water

The fresh, green but "wet" paper :)

The wet paper landed on a bloating sheet.  
  Depending upon the size of the "mold and deckle," paper sheets of differnt sizes can be made


A stack of bloating sheets with wet green papers on each of the sheets
Pressing

This hydraulic press squeezes out the remaning water. The stack of bloating sheets went in it with a wooden plank at the bottom and on the top of the stack
Drying
There is a fan behind the stack, for drying up the paper completely. Another 24 hours may be!

From T-shirts to the handmade green  paper

Thanks Sara! That was pretty amazing. 

You can check the next work shop at Paper Circle @ http://www.papercircle.org/workshops.html